The Rita – Raymonda CD
For THE RITA, the classical ballet in the last few years has been an epiphany; a massive amalgamation of obsessive and fetishistic elements not unlike earlier interests and themes that have directly provided the structure for abrasive sound found in his past recordings.
Ballet themed recordings of THE RITA from the past two years have concentrated on the single ballerina, the development of the form translated via direct sources – the mic’d thigh, the pointe shoe, the ballet flat on the hardwood floor.
Marius Petipa’s masterpiece of multiple female staging for the THE RITA and these recordings is his ballet RAYMONDA (1898), most notably the ‘Grand pas d’ensemble’ which is a virtual gallery of ballerinas in the classical form, organized and choreographed to exercise beauty in numbers, to highlight the inherent power and grandiose nature of graceful movement in symmetry.
THE RITA’s ‘Raymonda (Stage Arrangement of Women)’ recordings signify the mountainous nature of the aforementioned arrangements via heavily distorted layering of various Raymonda stagings cut into repeatedly with mic’d ballet pointe shoe ribbon and metal chain abuse.
The resulting sound is almost impenetrable, an avalanche of harsh noise that directs the listener back to THE RITA’s CD works such as ‘1000s of Dead Gods’ and ‘Bodies Bare Traces of Carnal Violence’, but this time with the massive study and focus of the staging of the classical ballet.
The material and it’s accompanying booklet and imagery portray the inherent lasting voyeuristic fetishism of abstract female perfection first portrayed by the massively staged ballet works and tendencies of the late 1800s classical ballet ‘Grand pas’ or ‘Ballabile’ and it’s power through movement in symmetry via more contemporary performances.
|Dimensions||6 × 5 × .5 in|